Franky verdickt

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    • By force, if necessary
    • ATOPIA
    • NLTBHBWT
    • The South Street Village
    • TOTEM
    • Fantasma
    • regained paradise
    • Pridnestrovie
    • Think of all the places you could have been
  • space b
    • Dehumanisation
    • From Albania with sun
    • Lviv funeral
    • Ukraine train
    • The virus
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    • The Border
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    • Boasheng Dadi
    • sleeping china
    • A good day for a ride
    • Xiamen plage
    • two monks
    • in between
    • All the places
  • assignments
    • portraits
    • stories for press >
      • Die Mauer im Kopf
      • Refugees >
        • Dunkerque
        • The Jungle
        • Salaam Palace
        • European border
        • Safe house Brussels
        • Minor refugees
      • The last ferry
      • Fancy animals
      • The prime minister campaign
      • Fuck austerity
      • Dockers
      • Guinee in Brussels
      • soccer
      • swingers
    • spreads
  • buy prints/books
  • Media
  • News
    • Contact
    • CV
  • space a
    • By force, if necessary
    • ATOPIA
    • NLTBHBWT
    • The South Street Village
    • TOTEM
    • Fantasma
    • regained paradise
    • Pridnestrovie
    • Think of all the places you could have been
  • space b
    • Dehumanisation
    • From Albania with sun
    • Lviv funeral
    • Ukraine train
    • The virus
    • Belarus protests
    • The Border
    • Home
    • Boasheng Dadi
    • sleeping china
    • A good day for a ride
    • Xiamen plage
    • two monks
    • in between
    • All the places
  • assignments
    • portraits
    • stories for press >
      • Die Mauer im Kopf
      • Refugees >
        • Dunkerque
        • The Jungle
        • Salaam Palace
        • European border
        • Safe house Brussels
        • Minor refugees
      • The last ferry
      • Fancy animals
      • The prime minister campaign
      • Fuck austerity
      • Dockers
      • Guinee in Brussels
      • soccer
      • swingers
    • spreads
  • buy prints/books
  • Media

In Regained Paradise I show the problematic relation we have in creating places to live. By choosing construction sites as a subject matter, I start at the beginning of a place, a point zero, the place where mostly nothing has been build on before, or were all traces have been removed. I traveled throughout the world and found lots of construction sites in the middle of nowhere, like as they were settlements.
The more I continued my research the more it seemed that creating a places to live seems to go together with exploitation of the workers, fighting against hostile nature environments, colonizing living space of others, or simply making lots of money.  It seems that the only way we can create a place to live is by employing larges companies who think for us how we have to live. The choice on how we can live is reduced to the creativity and commercial interests of large companies. The freedom to decide for people how to live is very limited. The way we are living is dominated by market logics, by cost efficiency. In most of the construction sites the workers are not able to buy what they are building. In Egypt and in China the workers had to live on the construction site since no adequate lodging was made available for the workers. 
During the three year of this project, I have been documenting construction sites in China, Egypt, Brazil and Israeli settlements in the West Bank. My photographs aim to have a better understanding on how and on which terms we are expanding this world we are creating for ourselves.

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